Children\'s drawings of the emotional experience

Figure a Li Zhuoyuan 7 angels in construction

This is our art experience of a little girl called far in art, just like her mother said: \"only likes painting her baby, and pigtail, dressed in short skirts, and small animals were playing. \"And like many children, this is also self-world tour of a typical child, baby is a diagram symbol of the self. Look at the right corner of the screen Egypt Obelisk, and hieroglyphics, also left corner has a simple expression, self-already in and outside of her naive for emotional exchanges, picture-in-line and composition are releasing Mowgli emotion and character.

Figure II Li Zhuoyuan 7 years in Turkey on the TOROS mountains

Far never painted scenery, not to learn skills. Turkey annatuoliyagaoyuan TOROS mountains, natural morphology of the giant pine trees, rugged rock, Red House on the hillside, the distance is Eastern Mediterranean waves, this scenery makes her little passion about the mind. She chose a stone seat, looking far away, big eye revealed expression of desire, mother still fears must also painted small dolls. I let she not disturb children, and to far to appreciation and certainly of eyes, I know, she self-of world is was passion collision with, inevitable will opened, far in decisive to painting with, past of small doll were became has is strong of beautiful line, this is a site she never of full of sketches (Figure 6), how natural lovely of screen Ah, eyes complex of scenery are was children with loose and jump of line is has levels to performance out has, screen right of pine Shang also painting has trunk of shadow, this is children for instinct to in application line to said dark of relationship, this is emotion by mobilization out of skills of potential.

cm 0pt; TEXT-INDENT: 20.65pt; mso-char-indent-count: 2.0; MSO-char-Indent-size:10.3pt \"> figure III (see annex) Xing Yunshu 7 Kusadasi Aegean Sea

Heard in the sight of in the legends of the Aegean Sea, the children were very excited, sitting next to the Gulf, cool feet into the sea, the Aegean Sea in the light of the setting sun was so soft. Lulu\'s eyes shining, brush in the hand cannot help but express, this is her first piece of scenery sketches. Mother is amazing to say: \"Oh! How could she paint so great! Although I do not know, but really feel good. \"On screen, glow on the horizon, distant islands of forest and sea changes in the wave are in line with active dynamic and aura, the concise and accurate performance of a ship, left corner of the two pairs of slippers seem to symbolize the heart of infinite love.

From the day from the Aegean Sea, Lulu draws do not want to stop, for all that she wanted to paint everything touched down, including hotel rooms of a sofa, emotional potential of not only inspired her paintings, also makes her heart also warmer, eyes more bright, you can find beauty in ordinary things.

Figure four (see annex) Xing Yunshu (Lulu) 7 Roman Theatre

Ancient Roman Theatre in asipanduosi, all the children are shocked. Old of huge round, and beautiful of arches, and than modern of auditorium also to more of number does not Qing of stone steps, and performances on of Rome type carving, and loud of ECHO, all are is as of spectacular, and perfect, on is layout background, world three large tenor one of Dominican brother to this singing, into Qian tens of of audience will came to this mountain Shang of ancient theatre, that will is how of scenes Ah! Children just to their song stay, can\'t wait to start to draw, and for children, to do so in the 20-minute Grand Theatre, it is very difficult, Lulu immersed in emotion, hand tried to put pen to paper, various elements were generally abstract, Kazakhstan, the passion of hearts after the shock had a surprising effect does not vary again.

Figure five (see annex) Huang Han de (rods) 6 cabin

We came to Germany, living in 60 km away from Berlin in a forest cabin, as if the world of fairy tales, in front of the House of tall green trees and fences, are those of urban children rarely seen in China

Kids like. Bangbang silent, but with brush to said he and his mother live in the us this wooden hut, have never learned skills in landscape sketches, just 10 minutes on paper feelings pour, son mother had never seen this painting, but has felt the passion and the health of children beyond normal capacity. Screen, we see children hard to handle a variety of lines, as has pace and power is: lush leaves and branches of trees, each with their own forms, even the street lamps in front of the House also has its own expression, if there is no love between to log cabin, 6 years old children is difficult to draw the sketch.

Figure VI (see annex) Shang Wenjia 12 years I was in Turkey at high altitude

Better better has had painting sketches of experience, but Turkey beautiful of color and style strongly to moved with she, let she wanted to beyond own, beyond past of sketches, so produced has this site painting: singular and full has creative, scenery has because emotion of experience and within of; by two only fly of bird, she to eyes see of and heart by wanted to of depicted in together, has broad of Earth, and Eastern Mediterranean of fish, and plateau and forest, and flag, and overlooking Earth of faces, screen Fusion has real, and memory and fantasy, expression out on natural and people of unlimited affectionately, let we for of heart.

In fact, the fire of God giving humans creating of art, emotion is needed to ignite. Small fire in the minds of each child\'s shining, because the emotional power of combustion.

暁 珮 观 点

In the adult world, we often go to the analysis of the children to paint what is how, with what materials, composition, line, and with a beautiful, beautiful, but forget a fundamental issues-emotional. We do not forget to let the children study painting, teaching the children to paint, sent paintings to exhibitions, participating in the competition, but forgot to provide them with the experience of emotions, inspire emotions freely in painting in time and space.

For a child with no painted scenery, parents think: my child never learned the skill nor practiced sketches, how could draw a landscape?

In fact, the first painting is the art of emotion, it mapped the psychological structure of human mental activity and emotional activities. In particular of children before the age of 12 paintings

, Is a pure physical and psychological experience of emotion, hand pure and natural expression of emotion without due process. Without emotion, techniques like cold formula, feeling for performance of no use. We recall that early man\'s art, such as in the original art and folk art, author not learning techniques, but from the expression of emotion and life needs, creating timeless art. A people in life early of childhood painting and they very similar: children were may also does not using language, on can with own of way to expression consciousness and emotion has: in soil in the digging, and in sea stacked Sha device, and with wood build small room, and with stone grass playing with graphics, and took bricks in ground draw road road, in these life early of created in the, art in the painting, and building, and sculpture of three species form and basic of technology are has appeared which has.

Emotional spark inspiration and children the most deep potential so that they are faster to achieve harmony between eyes, hands and brain, and enters the real painting, screen also has a huge leap forward.

In given children experience of space Shi, we to firmly believes that children of tianci to, firmly believes that us is can relies on emotion, any by soul to performance of; let they by painting, into life, and into nature, to experience heart and sea of dialog, and experience mountain and eyes of Exchange, and experience natural with to people of moved, and experience to most wanted to painting of things painting out of happy, experience due to expression us and are of confidence, and experience to us and others share of happy, to experience to--created of happiness!

暁 珮 建 议

Emotional experience is a natural process, we can cross the sea far away, let the children for the scenery and culture shock in different environments, or in daily life, experience them in detail, such as a form of beautiful and exotic trees, a clump of natural flowers blooming sth To let the children experience. In the process, as far as possible to create objects of the environment and experience for children and give them a little bit of prompting more children to experience on a voluntary basis, they feel much more sensitive than adults.

For example, in Egypt Cairo Hotels, eat dinner, two children said to me: we want to draw, but it also seemed to draw out, I said: OK, follow me! I brought a hand out of the room, into the Moonlight, children\'s mouth closed up: look! Yeah on jujube trees, lawn fountain under Moonlight in the singing, the tree flowers on how like egg shells, birds, and we don\'t want to sleep in the branches of the House how songs like glass also has tents, a distance of, is pyramid where you from? Children said: fast back to our art, but I\'ll draw! I know, they are moved.

Sketch is quickly painting, a short time, you can have the child

Child using a variety of pen, such as pencil, charcoal, oil pastels, marker, pen, etc.

暁 珮 提 示

If no great of emotion, we today how can see Picasso that condensation with blues of blue (figure seven), and Van Gogh high that full dip with desire and passion of warm stroke (figure eight), and Chagall talk with permanent love of romantic composition (figure nine), more cannot see China painting in on natural, and on creatures of affectionately and mood (figure ten) sth sth, rich of emotion achievements has different of style and schools, with to we enjoy not of Visual of us and heart of pleasure.

(Figure seven) Picasso (1881-1973) in 1901-1903 of creation was called blue period, then Picasso of life situation is difference, blue representative has he inside of sentimental and deep of Blues, in screen in the more performance some poverty distress of lower character, image thin and alone, blue dominated has all, also on in this light blue, and powder blue, and deep blue, and blue in the, Picasso on has he of success of road.

(Figure eight) van Gogh (1853-1890) devoted all his life to paint with passion, in France Arles in the South of the Sun, his passion seemed to burn, strokes strongly and perseverance, have a burning sense of rotation of Visual impact, sunflower is one of the representatives of this period. Until now, experts in the analysis of Van Gogh charm of the stroke.

(IX) Chagall (1887-1985) he was one of the most important pioneers of modern art. his paintings full of child innocence dream romantic singular, a large part of Chagall\'s love of life stems from his love for his wife Bella. Chagall said: \"as soon as you opened the window, she appears here, bring blue sky, love and flowers. ”

(X) doomed to oblivion (1693-1765), regulated, painting and calligraphy in Qing dynasty, as \"Yangzhou eight.\" Claims to be \"four seasons of not at all blue, Platinum section of Evergreen bamboo, eternal unbeaten stone, people of future generations unchanged\" in order to place the natural nature of emotions and tough and stubborn character, express their feelings in the chest.